Tag Archives: a Netflix Film

Netflix Film Review: “Nimona” (2023) #NetflixReviews

Nimona’s zany shtick gets old quick

A disgraced knight, sworn to a code of honour, Ballister Boldheart, and a hyperactive shapeshifter, scorned by all, Nimona, team up to root out corruption at the centre of their kingdom.

Based on the graphic novel by ND Stevenson, and set in a futuristic mediaeval world, Nimona‘s bold science fantasy setting is refreshing in itself and is portrayed gorgeously: the animation, the character and set design, the direction, it’s all a joy to experience. The story zips along and the two main characters make for an entertaining double act, Ballister the straight man and Nimona the comedy man.

My use of the terms “straight” and “man” are a bit ironic, as the film is unashamedly LGBTI+. Ballister is gay, but that is never the focus of the story, and his lover is a dashing man named Ambrosius Goldenloin(!), and then there’s the casting of RuPaul of RuPaul’s Drag Race fame(!) All this plus the science fantasy setting helps to give an enjoyable and slightly campy vibe reminiscent of The Hunger Games or The Fifth Element. Nimona “her”self, the shapechanger, is apparently a cypher for writer ND Stevenson who is “non-binary, or something like it” — his words (he also uses any gendered pronoun).

But that leads us to the only bum note, and it’s a pretty big one: Nimona herself comes off as an ADHD, egoist who is hyped up on a speedball of caffeine, sugar and E numbers 102, 104, 122, 129 and 211. Basically, she is less charming than she is meant to be; her zany shtick gets old quick. Stevenson has also stated that he himself has ADHD and is bipolar; Nimona is basically Stevenson, or something like it. Setting aside LGBTI+ issues for a moment, any character this hyperactive, unstable and egoistic who does not have an arc where they try to fix that aspect of themselves — indeed, that aspect is lauded — is always going to make for an irritating and hard-to-sympathise-with character. Stevenson would have done better to divorce the non-binary narrative from his own ADHD and bipolar. There seems to be no real reflectiveness on this character flaw or even acknowledgement that this is indeed a character flaw; where is Nimona’s journey?

Nonetheless, this is a very entertaining film. Beautiful and quirky. It’s just a shame Nimona wasn’t slightly more likable or on a journey to overcome her character flaws.

4/5

© 2023 Bryan A. J. Parry

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“Choose or Die” (2022) #100WordReview #NetflixReview

Think “Horror Jumanji”

After starting up a previously undiscovered survival horror video game from the mid-80s, “Curs<r”, a young programmer’s world is torn apart as the game unleashes real world horror. Think “Horror Jumanji” or “Ring + Saw”.

Choose or Die is the feature debut from British director Toby Meakins, and stars young and old British talent such as Iola Evans, Asa Butterfield, Eddie Marsan and, err, Robert England Englund (well, he did go to RADA).

The film is tense, genuinely horrifying, and one of the trials is truly disturbing. It’s a bit different, but nothing revolutionary. There are some weaknesses in the plot and acting.

A strong and enjoyable horror flick.

3/5

© 2022 Bryan A. J. Parry

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Film Review “Hypnotic” (2021) #NetflixReview #100WordReview

entertaining bit of brain bubblegum

A young woman overcoming a broken relationship begins seeing a renowned psychotherapist. However, when he cracks open a can of hypnotism in their intense sessions, things go dangerously off the rails.

The publicity photos and tag line (“His wish is her command”) essentially give away the story. However, the moment we lay eyes upon our hypnotherapist, we know what’s going to happen; his motives are transparent, his sliminess obvious.

This is an entertaining and capably acted flick. It’s no classic, though. A nice light entertaining bit of brain bubblegum.

3/5

© 2022 Bryan A. J. Parry

featured image from https://image.tmdb.org/t/p/original/mFCXukFzPGSbmbyOIxrV0y4vxqk.jpg

Film Review “Apostle” (2018) #NetflixReview #150WordReview

Part Meet the Amish, part The Village, part penal colony

Thomas Richardson (Dan Stevens) goes undercover on a dangerous mission to the isolated island of Erisden where his sister is being held hostage by a wild religious cult. The task is not easy; the island’s magnetic leader Malcolm (Michael Sheen) is becoming increasingly paranoid, and the island is ruled by a kind of religious police who control people’s actions and movements.

Apostle is an original film. It portrays the cult-village believably. Part Meet the Amish, part The Village, part penal colony in 1905, the egos of the main characters are believably presented. The cult itself is increasingly bizarre and it turns out there may be truth to the mysterious preachings of their prophet Malcolm. None-the-less, the supernatural aspects of the film are secondary to the psychology.

Good performances from all. A believable cult, a convincing community, a bizarre but original supernatural secret at the heart of the island, Apostle is a really good film. However, the full-on gore and body horror aspect might be too much for those expecting a period drama.

Writer-Director Gareth Evans reminds of a Welsh Neil Marshall, a rising star to watch, for sure.

4/5

© 2021 Bryan A. J. Parry

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