Monthly Archives: April 2021

Film Review “Fragile” (2005) #NetflixReview #150WordReview

150 word review, 2/5, film review, , , , , , , , , , , , , , , , , , , , , , ,

subpar

A nurse struggling to overcome a recent tragedy starts work at a rundown hospital where an evil presence menace the young wards under her charge.

Fragile features a measured and convincing performance from Calista Flockhart. Sadly, her co-stars don’t quite convince, especially Elena Anaya (nurse Helen) and mandatory mental kid Maggie, Yasmin Murphy.

The story was fairly generic, but none-the-less decently constructed. It’s just that this is something we’ve seen many times before. None-the-less, the “abandoned” part of the hospital has a believably thick and creepy atmosphere, highly believable, and this kept us watching (more-or-less).

Not bad stuff at all, but subpar and fairly forgettable. Better execution from all players and the special effects department is what Flockhart deserved for her performance.

2/5

© 2021 Bryan A. J. Parry

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Netflix Film Reviews “Eye for an Eye” a.k.a. “Quien a Hierro Mata” (2019) #NetflixReviews

4/5, film review, , , , , , , , , , , , , , , , , , , ,

if you can suspend your disbelief … enjoy the ride

Mario (Luis Tosar), a nurse in an old folks’ home, and Antonio Padin (Xan Cejudo), a legendary drug lord now residing there, make an unlikely double act. But when they meet, they just seem to hit it off, almost as if they have a bond which runs deeper. Certainly, they’re bonded by suffering.

Mario looks forward to a bright new life with his heavily pregnant wife Julia (Maria Vazquez) whilst trying to push away demons from his past which just won’t lie. Meanwhile, our feared drug lord Antonio has interred himself in an old folks’ home and is just waiting the inevitable while his two sons, Kiko (Enric Auquer) and Tono (Ismael Martinez), busily ruin his empire.

Eye for an Eye a.k.a. Quien a Hierro Mata (‘Who Kills Iron’) is a story of pain and revenge, it has some truly shocking moments. For the most part, a believable film, but my only issue is that the entire second half hangs on a very James Bond Villain’s Speech which one character gives to another; without this speech, the film doesn’t crank up a gear, yet it was totally unbelievable that this particular character should launch into that monologue. But if you can suspend your disbelief, then you can enjoy the ride.

A great character study set against the background of a drugs deal gone awry.

4/5

© 2020-2021 Bryan A. J. Parry

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