Please ignore the 5.0 IMDb and 14% Rotten Tomatoes scores.
A man wakes up in a hospital bed, bandaged from head to toe, and with no memory or who he is. But when our nameless protagonist (Jonathan Rhys Meyers) learns that he is a wanted serial killer, something just doesn’t sit right, and he won’t stop until he finds out who he really is and what happened to him.
Awake is a tense, fast-paced crime mystery with twists. Rookie writer Elana Zeltser makes a solid if not ground-breaking screenplay debut. The script, whilst not as clever as Memento (1999) or as taut as Taken (2008), is well-written with believable plotting and dialogue. Our leads, Meyers and Francesca Eastwood, also really sell the film, although the acting from Malik Yoba (detective Frank Ward) had a tendency to veer off into TV movie territory.
Please ignore the 5.0 IMDb and 14% Rotten Tomatoes scores. This film is much better than that. Riveting, fast-paced, not overly obvious albeit not earth-shakingly original, this is a lovely little movie to spend 92 minutes with.
Idris Elba is Colin, a charismatic and violent sociopathic criminal on the lam and winner of the Most Unbefitting Name Ever Award.
Idris Elba is Colin, a charismatic and violent sociopathic criminal on the lam and winner of the Most Unbefitting Name Ever Award. Whilst making his escape, he totals his car into a tree and legs it through the forest. The first house he stumbles upon is that of all-alone Terri (Taraji P. Henson) who is just putting her young kids down for the night. This charming stranger works his charisma, asks for help after his “accident”, and talks his way from the porch into the living room. Soon Terri is putty in his hands. But as they say, No Good Deed goes unpunished.
No Good Deed is a fairly standard crime thriller, but I mean that in the best way. It is gripping, entertaining, keeps us on the edge of our seats, but doesn’t really show us anything we haven’t seen before. Great performances from the small cast really sell this film and keep you engaged to the end.
There is one stand-out moment, however, an unexpected plot twist that made me choke on my coke and splutter, “Ohmigod, whuh!?”. The twist is really neat. But it isn’t so much clever, as the rest of the film is so run-of-the-mill, that you kind of don’t expect the twist at all. The twist is particularly effective as it isn’t done merely for the sake of it, as so often is the case, but actually has a punch which makes sense and gives an underlying logic which holds the picture together. I’ll stop there before I plot spoil.
All in all, a standard but very well-made and well-acted crime thriller which is a thoroughly enjoyable way to spend 84 minutes.