Unorthodox is the story of Esther (Shira Haas), a nineteen year old from a Hasidic Jewish community in New York, who tries to flee her arranged marriage and authoritarian community to build a new life for herself. But will her community, or her husband, let her escape?
Unorthodox is, I believe, the first Netflix series shot in Yiddish, which makes it notable. It’s an engrossing story which paints a powerful picture of a repressive community without ever getting into Judaism-bashing. The limited series was infused with realism.
When Carlos (Luis Tosar) decides to take his kids to school one morning, he imagines that the breakfast time argument with his wife Marta (Goya Toledo) is the worst thing that would happen to him. Little does he know that his car is rigged to a bomb which will explode when they leave the car. But who is this mystery stranger responsible, and what does he want?
Retribution a.k.a. El Desconocido (‘The Stranger’) is a 102 minute long white knuckle ride, a crime-action-thriller so tense that I found myself agitatedly yelling at the screen. Believable, and with good performances from our leads including the stranger (Javier Gutiérrez).
When a home birth goes tragically wrong, Marta (Vanessa Kirby) and Sean’s (Shia LaBeouf) marriage and lives spiral viciously downwards as they struggle to deal with their awful loss.
Pieces of a Woman features powerful central performances from Kirby and LaBeouf. The film was realistic and often crushingly depressing. But it also dragged. Slow to move, it wasn’t so much a slow-burner as a slow-flickerer. It was missing that little something extra. None-the-less, the brilliance of the cast, the direction, the editing, and the realism of the script make it one worth seeing.
Not so much a well-structured narrative but rather well-drawn characters.
A troubled couple, Ray and Joanne (Sam Worthington, Lily Rabe), stop at a petrol station where their daughter’s arm gets Fractured in a fall. They rush to the nearest hospital, but something is terribly amiss. Pushy staff keep mentioning organ donation. And when daughter Peri (Lucy Capri) and Joanne disappear during an MRI, the hospital deny they checked in — or even exist at all. Ray must fight to save his family and prove his sanity.
A kind of horror Flightplan, we are kept guessing until the end: abducted family, or imagined family?
Unsettling, thrilling, but slightly shlocky. A good romp.
Where Babadook was a nerve-shredding slowburn, Under the Shadow was just a patience-shredding slow.
Under the Shadow (2016) sees a mother struggle to maintain a normal family life in war-torn 1980s Tehran amidst Iraqi bombs and a mysterious evil presence.
BAFTA award-winning, foreign language, original setting, social commentary, Mark Kermode-approved: everything a latte-supping cosmopolitan liberal like myself loves. Yet this Iranian The Babadook doesn’t quite work.
Where Babadook was a nerve-shredding slowburn, Under the Shadow was just a patience-shredding slow. Babbadook‘s is-it-isn’t-it-real psychological terror has been replaced with going-nowhere social commentary on feminism in post-revolutionary Iran. A truly scary “monster” and creepy apartment building can’t hide the lack of focus or peril. Disappointing.
With a title like Unforgettable, this film is almost asking to fall on its face.
Julia (Rosario Dawson) has just clawed herself out of a violently abusive relationship. Her reward: super job and wonder-man David (Geoff Stults). But her new life is shattered by David’s “tightly wound” ex-wife Tessa (Katherine Heigl) who cannot, and will not, accept that she has been replaced. Julia battles the demons of her past to overcome everyone’s doubt and her new foe.
With a title like Unforgettable, this film is almost asking to fall on its face. The truly compelling central performances by Dawson and Heigl stopped this being a waste of time, but a classic it is not. Trite, boring.
A foreboding storm is the backdrop to the sad tale of a boy who witnesses a murder and who in fleeing the scene is run over and killed. Twenty-five years later, an eerily similar storm forms which seems to create a link to the past. Can Vera save the boy? And what consequences will follow from this?
Mirage is a mind-bending mystery crime time-travel film. Beautiful in every way. The ending is shocking and totally satisfying; it doesn’t wipe out our journey as time travel films often do.
A gut-churning slowburn … has her son really been replaced, or is it all in her own mind?
The Hole In The Ground is the remarkably well-accomplished debut feature from Irish writer-director Lee Cronin. Single mother Sarah (Seána Kerslake) has upped sticks to the countryside with her eight year old son Chris (James Quin Markey). After Chris goes for a mysterious midnight stroll in the nearby forest, Sarah begins to notice disturbing changes in his character. Is this even her son at all?
A gut-churning slowburn, this horror-thriller recalls 2014’s equally nerve-shredding The Honeymoon and shares DNA with The Babadook. Convincing central performances and potent sound design and cinematography.
We are kept guessing until the very end: has her son really been replaced, or is it all in her own mind? A true delight.
Jean-Luc Picard [must] tackle it head-on — with or without the support of the Federation.
A Romulan plot appears to be afoot within the Federation which, if confirmed, would constitute an act of war. Duty and principle compel Jean-Luc Picard to tackle it head-on — with or without the support of the Federation. Episode two, “Maps and Legends”, is compelling and involves much more show and far less tell than episode one, although it does kick off with a long Dan Brown-style expository scene. Such moments are missed opportunities to build suspense. None-the-less, “Maps and “Legends” was riveting.
altruism at its best — or is there an ulterior motive?
The Blind Side is the true story of a wealthy WASP family, headed by Mater Familias Sandra Bullock, who take in a seventeen year old homeless black kid from the wrong side of the tracks. Battling social prejudice, lavishing him with clothes and an education, this is altruism at its best — or is there an ulterior motive? A prestigious football scholarship is at stake.
This fish-out-of-water tale has plenty of heart. Success is never a foregone conclusion. Tight scripting earnt this flick an Oscar nom for best screenplay, Bullock herself won Best Actress for her subtle, humane, and convincing portrayal.