Jean Luc Picard [puts] on the most unbelievable French accent since Ewan McGregor in Beauty and the Beast …
This week, on Star Trek: Picard.
In “Stardust City Rag” (S1E5), our fellowship sets up a meeting on a dodgy planet to take part in an exchange: one life for another. This place, Freecloud, could have been lifted straight from Star Wars‘ cantina scene, where all sorts of criminals and smugglers and crimelords and aliens mingle in an anarchic power-vacuum region of the galaxy. Fascinating, but I’m not sure it totally sits within the Star Trek universe.
We find out why Raffi, who I’m now very fond of, wanted to leave Picard’s crew and go her own way when the team reached Freecloud. Just like Picard in the previous episode, she has a very weighty personal matter to resolve, a matter that has been hanging over her for years. Unfortunately, whilst Michelle Hurd’s (Raffi) acting more-or-less convinced, that of her counterpart in this scene distinctly did not (Gabe, Mason Gooding). Very disappointing. A big moment with a character I’ve come to care about, and yet I did not care much. Once again, Picard rushes and resolves an issue within the space of a scene or two. The writers do realise that this model, let’s call it the “Game of Thrones Season 8 Model”, is not a fan favourite, right?
This episode was full of zany comedy, including Rios dressed as a kind of intergalactic pimp, Jean Luc Picard putting on the most unbelievable French accent since Ewan McGregor in Beauty and the Beast, and Picard’s manservant-cum-bodyguard-cum-protégé establishing himself as the series’ light relief rather than broody angst merchant (as he appeared in the last episode) — and he seems to be acquiring an increasingly strong Antipodean accent as time goes on (think: the reverse of Deanna Troy in Star Trek: TNG). The writers and actors really pushed the boundaries of tone and good sense here, and they just stayed onside. The result? Back of the net! I loved it. I just hope they don’t camp it up too much; Picard has established itself as tonally distinct from some of the other, campier entries in the Star Trek canon, and it would be a shame to backslide from that or, worse, become tonally confused.
There’s a huge moment towards the end where one of our fellowship unexpectedly acts horrifically. Big drama to follow from this in future episodes, undoubtedly. I’m also starting to notice a pattern more generally: those who have served Star Fleet either get burnt out, go mad, or become numb in order to maintain their commission. The campy, intergalactic comedy romp belied this much darker core.
A lot happened. Great moments. Wonderful developments of some characters through their actions rather than through talking, as has sometimes characterised this show so far. The lightest and, paradoxically, also the darkest episode, this was an excellent outing and without a doubt the most entertaining so far.
© 2020 Bryan A. J. Parry